1. Time Spill

  • Dimensions: 20 x 30
  • Materials: Resin, Wood, Steel, acrylic paint, spray paint
  • Year: 2023
"Time Spill" explores the elusive nature of time—how it can seem both to stretch infinitely and slip away in an instant. The resin flows like liquid, symbolizing the malleability of time, while the wood and steel represent the rigidity and permanence of physical structures. This interplay of materials suggests that time, though measured in consistent units, is experienced differently depending on one’s state of mind—sometimes fast, sometimes unbearably slow.
The piece invites the viewer to consider moments in life when time appears to bend, whether speeding up in joy or dragging in moments of anticipation or sorrow. As the resin "spills" over the surface, it mirrors how time can seem to overflow, leaving imprints of memory and existence in its wake.
What does it mean when time feels fluid, and how do we reconcile our attempts to control something so intangible?

2. Ego Decay

  • Dimensions: 20 x 30 inches
  • Materials: Foam, Wood Base, Spray Paint, Glue, Drywall
  • Year: 2024
Meaning:
"Ego Decay" delves into the gradual dissolution of the self, exploring the layers of identity that we construct and eventually shed. This piece reflects on the fragility of ego and the inevitable decay that accompanies personal transformation.
It prompts a contemplation of how we cling to our identities and the processes through which they fracture and rebuild. As viewers engage with Ego Decay, they are invited to reflect: What remains when the layers of self are stripped away? What emerges in the absence of the ego?

3. School

  • Dimensions: 2 x 3 x 3
  • Materials: Foam, Drywall, acrylic paint, spray paint
  • Year: 2023
Meaning:
"School" presents a striking image of a face seemingly trapped within a desk, symbolizing the constraints that educational systems can impose on creativity. This piece serves as a commentary on how traditional learning environments often prioritize conformity over individual expression, potentially stifling the innate creativity within students.
The artwork invites viewers to reflect on the broader implications of such confinement—how the pressures of academia can hinder innovative thought and self-discovery. It challenges the notion of education as merely a path to knowledge, urging a deeper consideration of how it can both nurture and suppress the creative spirit.
As one engages with School, the question emerges: In what ways do educational systems cultivate or inhibit our creative potential, and how can we break free from the confines that limit our expression?

4. Scars Heal Scars

  • Dimensions: 24 x 48 inches
  • Materials: Acrylic on Wood
  • Year: 2023
Meaning:
"Scars Heal Scars" embodies the philosophy of the wounded healer, exploring how personal suffering can transform into a source of strength and healing for others. The piece signifies that scars are not merely remnants of pain but are also symbols of survival and resilience, reminding us that vulnerability can foster profound connections.
In recognizing our scars, we acknowledge our shared humanity—the struggles and triumphs that bind us together. This work invites viewers to contemplate the idea that healing is a collective journey, where each scar contributes to a greater narrative of empathy and understanding.
As one engages with Scars Heal Scars, the question arises: How do our wounds shape our ability to heal one another, and what wisdom emerges from our shared scars?

5. Stages of Ego Decay

  • Dimensions: 2' x 5'
  • Materials: Clay, Sand, Foam, Wax, Acrylic Paint, Spray Paint
  • Year: 2023
Meaning:
"Stages of Ego Decay" explores the gradual unraveling of the self, breaking down the concept of ego through various phases of transformation. Each layer of the piece reflects a different aspect of the human psyche—its fragility, its illusions, and the process of dissolution that accompanies self-awareness.
The work invites contemplation on how identity is formed, fractured, and rebuilt. It challenges viewers to consider the ways in which we cling to the ego, even as it begins to erode, offering space for new perspectives and self-discovery.
As one moves through the Stages of Ego Decay, the question emerges: How do we navigate the cycles of self-creation and destruction, and what is revealed when the ego finally dissolves?

6. Future Memories

  • Dimensions: 3 ft x 4 ft
  • Materials: Acrylic and Marker
  • Year: 2024
Meaning:
"Future Memories" reflects on the passage of time and the inevitable transformation of past experiences into memories. The piece speaks to the idea that even the most painful and difficult moments will eventually fade, becoming part of the landscape of our future recollections.
Through its exploration of memory and time, the work prompts viewers to consider how the experiences we endure in the present—both positive and negative—will shape our future selves. It suggests that while we may struggle with certain moments now, they will ultimately become distant echoes in the larger narrative of our lives.
As one engages with Future Memories, the question arises: How do our present struggles become part of the memories that define our future, and how do we find meaning in this transformation?

7. When the Two Become One

  • Dimensions: 8 ft x 8 ft
  • Materials: Acrylic on Canvas
  • Year: 2024
Meaning:
"When the Two Become One" explores the intricate relationship between opposing forces and the harmony that arises from their interplay. This piece symbolizes the balance found in contrast—where light meets dark, strength encounters vulnerability, and individuality merges with unity.
The artwork invites viewers to contemplate how these dualities are not simply in opposition but are essential to a complete understanding of existence. It encourages reflection on the importance of embracing contradictions and seeking equilibrium amid life's complexities.
As one engages with When the Two Become One, the question arises: How do the tensions between opposing forces shape our understanding of wholeness and connection in our own experiences?

8. Picture Day

  • Dimensions: 3 ft x 4 ft
  • Materials: Acrylic on Canvas
  • Year: 2024
Meaning:
"Picture Day" is a reflection on the contrast between external appearances and internal emotions, capturing the experience of childhood memories where a smile was often expected, even when happiness was absent. The work extends beyond childhood, hinting at the reality of adulthood, where the performance of putting on a happy face becomes a daily ritual. In this sense, every day becomes "picture day," a stage for the projected self, masking inner complexity and emotions.

The piece invites viewers to consider the ways we continue to conform to external expectations, maintaining appearances while carrying unspoken truths. It raises the question: How much of our true selves are we willing to reveal behind the smiles we present to the world?

9. 9 lives

  • Dimensions: 3 ft x 4 ft
  • Materials: Acrylic on Canvas
  • Year: 2024
Meaning:
"9 Lives" delves into the illusion of immortality that defines childhood. The image of the cat, a symbol of resilience with its mythical nine lives, represents the boundless energy and invincibility we feel in our youth. As children, there is an inherent belief that the world is a playground of infinite possibilities, where danger and pain are distant notions, easily defied. In this space, life seems eternal, and time stretches endlessly before us.

However, as we age, the world reveals its true nature. The veil of invulnerability lifts, and with it comes the sobering realization that life, once thought to be limitless, is marked by fragility. The burdens, once imagined as fleeting, solidify into undeniable truths, and we learn that suffering and loss are intrinsic to existence. 9 Lives explores this profound shift in perspective, offering a meditation on the journey from a childlike sense of immortality to the recognition of life’s inherent finitude.

The work quietly poses the question: How does our understanding of self evolve as we confront the reality of our mortality and the fleeting nature of time?

9. Are We There Yet

  • Dimensions: 48 x 48 inches
  • Materials: Acrylic on canvas
  • Year: 2024
Meaning:
"Are We There Yet" begins with a sense of childhood nostalgia, but quickly opens into a deeper contemplation of life’s journey. It reflects on the universal human experience of searching for something more—a place of belonging, of peace. Yet, this search for "home" is not just a physical one; it represents the soul’s eternal quest to return to its origin, a spiritual home that transcends the material world.

The piece suggests that, throughout life, we are all like lost travelers, moving toward an undefined destination. The journey is one of self-discovery and reconciling the fragmented parts of ourselves. There is a yearning, shared by all of humanity, to find meaning, to return to a place of truth that exists within, even as we look for it in the external world.

As death approaches, life is said to flash before our eyes—a reminder that the journey has always been about returning to this deeper home, beyond ego and form. It prompts the viewer to ask: What does it truly mean to arrive home? And in moments of ego dissolution, does the soul recognize it has been home all along?

9. eternal dance

  • Dimensions: 9' x 6' 
  • Materials: Acrylic on canvas
  • Year: 2024
    Meaning:
"Eternal Dance" reflects the enduring connection between love and death, exploring the idea of soulmates transcending the physical realm. The intertwined skeletons, vibrant in color, symbolize a love that not only survives death but is, in many ways, renewed through it. The piece is a meditation on how death, rather than being an end, is a catalyst for new beginnings.

Drawing parallels to nature, where life springs from decay, Eternal Dance suggests that nothing truly vanishes—everything is transformed and recycled into new forms. It speaks to the cyclical nature of existence, where love, life, and death are interconnected in a continuous process of creation.

As one engages with Eternal Dance, the question arises: How does the cycle of life and death shape our understanding of eternal connection, and what forms of love endure beyond the physical?